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Toward
a Meaningful Life with Simon Jacobson
Radio Show Transcript - August 29, 1999
Mike Feder: Okay, here we are. This is
WEVD and I’m Mike Feder here with Rabbi Simon Jacobson. Tonight’s
topic is "Entertainment in American Life." Our number
in the studio for callers is 212-244-1050.
First question: We spend about 25% or more of
our waking hours either being entertained or being involved
in some entertainment activity. We spend 20-30% of the money
that we have to spend on leisure activity. Entertainment takes
up a lot of our energy and planning: people work all year
looking forward to it, they work all day looking forward to
coming home and being entertained. Our lives are centered
around this, and my question is: Is there too much entertainment
in American life (are we killing ourselves with it?) and is
there a "correct" amount and type of entertainment?
Simon Jacobson: Well, Mike, I would
like to answer that question as I’ve answered earlier questions,
and that is "What exactly is entertainment and is it
healthy?" Because if it’s very healthy, then maybe we
should spend 50% of our time with it, and if it’s not healthy,
then perhaps even 1% is too much.
So I would respond to that question first and
then go straight to yours.
Feder: So what do you say entertainment
is?
Jacobson: Clearly, people are drawn to
it and they don’t need to be taught how to entertain themselves.
It’s something that you don’t need to go to school for. What
I mean is, people naturally gravitate toward recreation, toward
entertainment. A broad definition of entertainment is having
a good time, enjoying yourself, finding some type of stimulation…
Feder: You could use the word "fun"?
Jacobson: Fun, yes, stimulation, and again,
we’re not discussing the healthy or unhealthy aspect of it.
It’s a form of stimulation as a result of some type of activity.
Now, I think that per se if that’s the definition of entertainment,
I would say overall that it’s a healthy and necessary element
for life. Since life can get boring and monotonous, a person
needs to feel enriched, invigorated, passionate, stimulated.
So with that broad generalization, entertainment is a fine
thing.
The question is, what entertains us and what happens
as a result of it. For example, a little child sits on the
floor and plays with toys, blocks. So you and I may not do
that, but we have our toys. We don’t even consider
that entertainment any longer, but the child is completely
happy, completely wholesome and gratified.
We may get our entertainment from something more
sublime, by reading a book. Some people get entertained from
watching a movie, whatever it is that entertains them.
Is there a real difference between that child
and us? The difference, I would submit, is only in the object
of the entertainment: what it is that we consider to be entertaining.
A child doesn’t get entertained by something more sublime
or intellectual. Adults may need that. Obviously, there are
many levels of this and it’s not easy to categorize.
So I would say that the difference between meaningful
entertainment and frivolous entertainment, can be measured
by its objectives and after-effects. Meaningful entertainment
stimulates the human spirit to grow. Frivolous entertainment,
which one can criticize (going back to your original question
where 25% of the time is spent on entertainment that is essentially
frivolous), is essentially a distraction—an entertainment
that doesn’t lead anywhere.
That is my next element. The fact is that people
need to be entertained—and I’ve had this argument and debate
with several friends of mine—one person said to me, you can
never package spirituality if it’s not entertaining.
Feder: How do you mean "package it"?
Jacobson: In other words, if you make a
film, you have to have some entertainment value. Don’t think
you’re going to just speak cerebrally to people’s brains.
You have to entertain them. There has to be a plot, there
has to be suspense, mystery…
Feder: Or speak to people’s souls.
Jacobson: Well, the point is that entertainment
means putting it in a type of story narrative so people will
feel entertained. In other words, the masses will not just
be ready to listen to philosophy or a dense, intense discussion.
It has to be packaged in an entertaining way.
I responded that that may be true to some extent,
but I must tell you that I see that what people are searching
for is not entertainment. They’re searching for meaning. However,
while we are searching for meaning, when it becomes difficult,
we look to distract ourselves and entertain ourselves in ways
that have no follow-up. And that’s the key line that I would
use. The fact that we can, for example, entertain someone’s
soul, and their soul is stimulated and they would even say,
you know, I was happy experiencing that, for me that would
be the greatest goal.
Instead of going to a movie, instead of going
to "have some fun," going to an arcade, or playing
with my "blocks," I find my entertainment in something
that is somewhat spiritual, somewhat meaningful. That element
of entertainment is very healthy and I would say even necessary,
because people when you will get entertained in a healthy
way, you will get inspired, you will be moved. Entertainment
that will be ultimately destructive is entertainment that
has no perpetuation. You feel empty afterwards. Like eating
sugar. It may give you energy, that spurt, but then afterwards
you’re hungrier or even thirstier than before.
Feder: You know, I read a book by Irving
Howe called World of Our Fathers. It’s a wonderful
book about the immigration of Jews around the turn of the
century—but it could be about the immigration of any ethnic
group—and he talks about people working 6-7 days a week, 14
hours a day on the Lower East Side, working themselves practically
to death. Their bodies and minds were so exhausted that they
flocked to these places where there was vaudeville, sort of
soap opera type plays, the simplest low-brow entertainment,
and they were able to laugh and to purge themselves of the
feeling that life was relentlessly awful.
In other words, at that moment, that type of entertainment
was like water in the desert to them. But there was nothing
spiritually uplifting about it. Do you understand what I’m
saying? It’s a hard world.
Jacobson: Exactly, and I would say that,
as a matter of fact, you’re bringing up a very good point
because the entertainment factor is interdependent with your
life situation. If your life is very tedious and you go to
work, and your material pursuit weighs you down, there’s no
doubt that you’re going to search for an escape, a vocation,
a weekend, an entertainment that does not necessarily have
to have value or deeper meaning.
However, if you don’t see your work as tedious,
but that your work, too, is entertaining (let me explain what
I mean by entertaining—that you see it as part of your mission
in life), that when you go to work it’s not just to make a
living, or to satisfy my boss. But if you feel that you’re
transforming the world in some way, then there may definitely
be times for a break, but the entertainment value will also
be in direct proportion, you will look for entertainment that’s
also meaningful.
In other words, the theme is this: if your life
is meaningful your entertainment will be meaningful. If your
life is not that meaningful, your entertainment will usually
also be of that same nature.
Feder: But look at the nature of most people’s
lives. If we’re going to be realistic, I’d say 75% of the
people who go work in the city every day, and maybe 75% of
the people listening to us right at this moment, are doing
things which you would be hard pressed to say are uplifting
or spiritual.
Jacobson: You know, Mike, my approach is
to always attempt to deal not just with the symptoms but with
the underlying causes. It’s easy to be a fire and brimstone
preacher, and you and I can say, "Hey look how people
entertain themselves today with all kinds of stupidity. These
people go out to eat every night and spend so much money.
Other people will spend $100,000 just to fly somewhere exotic
for the weekend; they could have spent it on something more
meaningful," and all of that. And we can really laugh at that
approach and be cynical and critical.
That’s fine, but I’d like to go a step beyond
that and say, Why is it that way? They’re smart people. Why
is it that they would not give that $100,000 to something
more worthwhile? (I’m referring to a story of a certain individual
who literally spent that amount a week to entertain himself,
on pure entertainment. If you asked him to give $10,000 to
a very important charitable cause, he’d say, "Give me
a business plan; I have to think about it.")
So why would an intelligent person be able to
do that? The answer is that deep in the heart, beneath the
surface, lies a certain lack of focus. Even in his work, even
in that person’s productive hours.
Entertainment also tends to be a direct extension
of that in areas that are complete escapism that have no perpetual
value.
Now I’m not trying to suggest that entertainment
means that you have to always be theological or philosophical.
Entertainment can be light and constructive when it is not
the only activity of our lives, and it is part of a larger
picture of your life. However, it is destructive when your
whole life is only entertaining yourself.
I will go a step farther. And actually dispel
a stereotype. Most people wouldn’t think that a traditional
Jew, for example, coming from a Torah background, would need
entertainment. What kind of entertainment? Your job is to
serve G-d and be dedicated at all times.
Feder: Sober. Serious.
Jacobson: And the fact that some people
succumb might be rationalized as, okay, human beings are weak
so they need some entertainment, they need a break. I submit
this: that a true relationship with G-d is one where your
soul feels entertained, your spirit feels nourished. It is
an experience that can compete with other forms of entertainment.
Obviusly, "spiritual entertainment" is entertainment in a
broader form, not in the secular or common way of interpreting,
but it is still not just a somber experience that is unenjoyable;
it is highly entertaining. It entertains more delicate and
sublme elements of the "palette" (so to speak) of the human
experience.
Feder: So you might use a word like refreshed
or recreated.
Jacobson: But more importantly, that you
would take that free hour and say: You know what? That free
hour is going to be spent on something that is both entertaining
and also meaningful. That in no way compromises our primitive
need to be stimulated and entertained.
However, if the whole basis of your life, the
foundation, is not one of searching for that type of mission,
then entertainment will be very empty and will leave you empty,
and you’ll become an entertainment addict, where yesterday
is not enough. Where every day you need a new source of fun.
Feder: So it’s a question of living an
integrated life. In other words, now we have the kind of a
world where our work is split off from our entertainment and
it shouldn’t be, you’re saying.
Jacobson: Yes. Take a look at ourselves,
and I invite you Mike, as I always do, to challenge me. You
know, if I were you I would be challenging me, if I may.
Feder: I don’t know. I always try to be
polite! No, go ahead.
Jacobson: No. If you’re going to be polite,
you’d better challenge me. I consider it impolite if you just
agree.
Feder: Okay. So if I were going to challenge
you, what is it that I would be asking you now?
Jacobson: I would wonder: Come on, Rabbi
Jacobson. People are people. The fact is, they need entertainment,
they need that light moment. Not everything can be heavy,
heavy with meaning, meaning, spirituality, G-d. They need
to be able to do something with no purpose in mind.
Feder: No purpose at all.
Jacobson: And the facts testify to that.
You see, people can lie on a beach without having some deeper
understanding or meaning. It doesn’t have to be philosophical.
It’s entertaining and they go back to work the next day and
feel refreshed. It gives them energy. It’s a very common approach.
So what do you answer?
Feder: Well, I’d answer in the classical,
old-fashioned way. I’d ask you another question based on what
you just said. What do you do to entertain yourself
that doesn’t have any absolute spiritual or immediate spiritual
value? Do you just sometimes go and enjoy yourself with no
goal or object of deeper meaning involved?
Jacobson: Well, I do. I’m far from the
perfect model of an individual whose life is dedicated to
G-d every moment of his or her life. But I must say that when
your horizons are broadened, and I’ve been blessed to be around
people and in an environment that has very high horizons—I
don’t want to sit around on the floor playing with my blocks—my
stimulation comes from the larger things. The need for fulfilling
a mission.
Of course there are many light moments. But even
those light moments have a certain sense where, even there,
you just get accustomed to living with a deeper perspective,
a search for "Ah, maybe there’s a little message here
for me." It doesn’t mean that every moment has an intensity,
such as: "What does G-d want of me now that I’m sitting
in an amusement park?" but that there’s a general attitude
where you recognize that this is part of a bigger picture
and you may learn lessons, you may meet people there that
you wouldn’t just say, "Where is the next ride?"
You may get into a conversation that’s meaningful.
You find that even your recreation is also a stage
and an element in your life which—to repeat a concept that
I’ve spoken about before—is "redeeming sparks."
The Baal Shem Tov, the founder of the Chassidic movement (we
just celebrated 300 years since his birth), says a very interesting
thing: That every one of us, you, Mike, myself, everyone listening,
every person on earth, is allocated a certain amount of Divine
sparks and these are placed in various places that we encounter
throughout our life.
It may be with the people we know, it may be in
the places that we travel to, it may be the schools that we
go to and the places where we entertain ourselves. There are
sparks in all these places and you’re allocated those sparks
and it’s your job…
When I say "spark"—it’s a metaphor of
course—it means that there’s a purpose; there’s a certain
objective to accomplish. It’s not exactly a number, like 50
sparks and then I’m finished, but in a way it’s like a treasure
hunt where you’re trying to find the Divine, the extraordinary,
the sublime, the unique in the mundane, ordinary life. Extraordinary
within the ordinary.
And that’s placed in every area of your life.
You go to a restaurant, you meet someone in the street. And
when you have that view in life, you generally look at everything
you do from the perspective of the holiness moment of sitting
on Yom Kippur in a synagogue to when you do, so to speak,
entertain yourself, you look, at least with the corner of
your eye if not directly, at where’s that opportunity, that
spiritual opportunity, how do I excavate that gem, that particular
area of my life?
And sometimes we don’t do that. But the overall
attitude is such. This doesn’t mean, by the way, that everyone
has to be a theologian and a philosopher. I believe spirituality
is not an intellectual process that’s only for the elite,
it’s a process that each of us (the simplest person in the
simplest life) where you find your sparks; it can be through
love, it can be through other experiences.
Feder: All this makes perfect sense to
me, but give me a little historical perspective on this from
your point of view. How did we get to this place in America
where, and I’ll venture to say this, 90% of the entertainment
that’s presented or available to us everywhere—television,
theme parks, video games, movies—90% of it is at best meaningless
and superficial to outright destructive and violent, and insanely
attacks any value or meaning? I mean, how did we get to a
state like this…unless you disagree with me that that’s the
state of entertainment.
Jacobson: No. I agree and I’m glad you
said it, not me, because I was intentionally avoiding making
those types of descriptions, not because I disagree but because
I don’t want to distract our listeners from the issue at hand.
I will answer by saying the following.
Feder: Let me also add that if we agree
that that’s the way it is, then what do we do about
it, obviously.
Jacobson: Well, first we have to talk about
the causes, and then we can talk about intervention.
I’d add something to what you just said, which
is the classical debate of the chicken and the egg, which
came first. Is the media the one creating this type of frivolous,
empty entertainment, or is there an audience that will pay
for it and so therefore they’re just satisfying the audiences.
You know, when they talk about these soap operas or some of
the low-level standard entertainment, entertainment executives
simply say, hey, this is what people want. Advertisers want
to reach people. People won’t watch shows that are of a higher
standard. Or, is it the media that is creating it somewhat
and the people are just buying or eating whatever is being
giving to them?
Feder: Like sheep.
Jacobson: And if you lower the standard
they’ll just buy that as well, because that’s the only choice
they have, that’s the only television, the only radio, the
only newspapers.
I believe, as the Jewish answer often goes: the
chicken and the egg were both created equally, simultaneously.
I think it’s really a combination of both, a vicious cycle.
Feder: So it’s the responsibility of both
the audience and the creator of this entertainment.
Jacobson: Right. Because the fact is that
the people who create the entertainment are also people, and
should their standards be high enough, they might not want
to stoop, even if the people were ready to buy it. I mean,
is everyone for sale? Would we sell anything that people would
buy? Do we have a standard? Is there a line that you draw…and
everyone does have that line.
On the other hand, I really believe that people
rise to the occasion. When you expect more of them, they deliver
more. I’ve seen it time and again. However, if you make it
easy, lazy type of entertainment, where there is no need to
really work hard, then people will stoop to that because we’re
very resilient creatures.
Feder: But isn’t there a contradiction
to what you’re saying? If you’re saying that everybody has
a hunger or a need because maybe it’s placed there by G-d
for something deeper, some spiritual connection, won’t people
finally get fed up? And if so, when?
Jacobson: Yes. On an individual level they’ll
finally get fed up. But Mike, there’s another generation that
has yet to come to that level of frustration and they’re buying
now the media, entertainment.
Feder: Which is more violent and more superficial
than ever.
Jacobson: Right, exactly.
What we’re dealing with here is not one segment of the population
that got fed up, okay that’s great. But there are always new
customers, like what happened with the tobacco industry. They’re
looking for their new customers. Of course people who have smoked
for ten years quit.
Feder: There’s one born
every minute, right?
Jacobson: So, the point
I’m making is that it’s a joint responsibility. I believe that
anyone in a position of leadership in the media and entertainment
world has a critical responsibility because you are influencing
minds. And I don’t care about anything, money here, money there,
but the bottom line is that you are influencing minds, influencing
standards.
Look, did you ever see how children
are glued to a television?
Feder: I’ve seen it plenty
of times.
Jacobson: Hypnotic. It’s
frightening.
Feder: And there are video
games and the Internet, too.
Jacobson: Now I’m not knocking
the technology, but I am saying this, and television is a perfect
example of what we’re describing. Television is a level of entertainment
that can be very abusive, because you don’t have to put any
effort in it. Why is it that children are hypnotized by the
screen? Because it’s very easy. It’s visual. It catches your
eye. It’s more powerful than listening to something.
Feder: And it’s so passive.
Jacobson: More powerful
than reading something. However, it’s also emptier. Now, if
television were to present a very meaningful, relevant message,
then the visual medium is being used in a very healthy way.
But if it doesn’t, then a book cannot compete with that hypnotic
power. Once a person has gotten accustomed to the "easy" nature
of visual entertainment, it dulls the interest and motivation
to read a book, no matter how rich or full of content (I’m talking
about a child here, who hasn’t yet been burned by the television
age). Who’s going to want to read a book when it’s easier just
to sit and watch? It’s effortless. Everything is being done
for you.
Feder: Well, it’s not just
children who are watching TV.
Jacobson: Right, but my
point is… I remember sitting once in a hospital waiting room
and the television was on, and there were little children, maybe
7-8 years old, sitting in the waiting room, and they were watching
one of these expose-it-all, tell-it-all talk shows…
Feder: Tabloid TV…
Jacobson: They were glued
to it, these 7-year-old kids. I was watching them thinking,
this is what they’re looking at, hours and hours a day. How
can they grow up with healthy sexual attitudes? It has to have
that type of negative impact. Even one viewing of it
is so hypnotic. Day after day. So I went over to the nurse,
who was also glued to the TV, mind you, and I said, (I just
wanted to see her reaction) "Look, maybe with these kids
here this show is not so appropriate." I didn’t mean to
be critical or judgmental. I said, "Perhaps maybe we should
change it to a cartoon (I don’t know if the cartoons are any
better)."
So she said, "Of course, of
course," and I saw she got upset with me because her eyes
kept going back to the screen and she was waiting for that commercial
break. And I realized that she’s like them. She’s just a little
older.
Feder: So are you suggesting
here that someone with a little more understanding and awareness
has to step in and do something about it?
Jacobson: I don’t believe
in anyone dictating…
Feder: It’s like a paternalistic
attitude…
Jacobson: Right. I believe
that a show like ours is trying to add a meaningful dimension
to entertainment.
Feder: Is this an
entertaining show?
Jacobson: You’d have to
ask the listeners. We’ll invite them to call. I would love it
if there are any entertainment executives or any entertainment
people listening to call in.
Feder: They wouldn’t have
the nerve to call, to show their faces on the radio. They wouldn’t
have the nerve! I invite them to call!
Jacobson: We invite calls
from both ends. If you’re the one who’s producing it or the
one who’s consuming it.
Feder: If you’re the gluer
or the glued. So maybe this is a good place to a break. You’ve
been listening to Rabbi Simon Jacobson, and this is Toward
a Meaningful Life with Simon Jacobson. My name is Mike Feder
and we’re here every Sunday night from 6-7pm and you’re listening
to WEVD, 1050AM in New York City.
This show is an outgrowth of the
Meaningful Life Center in Brooklyn, and this show is based very
much on Rabbi Jacobson’s book called Toward a Meaningful
Life, in which almost every subject that you hear discussed
on the air here is discussed.
We really want to thank everyone
who has emailed us or written or called us. Here are some of
the ways you can get in touch with us, and we want to hear from
you. The most important thing is the telephone number: 1-800-3MEANING
or 1-800-363-2646. You can also email us at wisdomreb@aol.com.
You can always write to us at The Meaningful Life Center, 788
Eastern Parkway, Suite 303, Brooklyn, NY 11225.
I’d like to also tell you that we
have a new website where you can download transcripts of this
program, and previous and future programs. It’s www.meaningfullife.com.
Okay, we do have a call here from
Jennifer. Go ahead.
Caller: I’m a student of
Rabbi Jacobson and I’m also in the entertainment industry so
I’m calling in. I’m with a news organization.
Jacobson: So let me ask
Jennifer a question. How do you see your position in the media
world and your deeper role? What are your responsibilities or
are you just a hired gun and you do whatever they demand of
you and whatever they pay you for? Do you see any higher spiritual
goal in your work?
Caller: I absolutely do
have a spiritual goal in my work. We are a news gathering organization
and there are certain ethical issues such as calling families
after there’s been a tragedy in the family, such as the shooting
in the daycare center in Los Angeles. The issue is whether or
not a producer should contact a victim’s family immediately
after this tragedy for news purposes. So there are a lot of
ethical issues that I deal with on a daily basis. However, I
do try to get important and spiritual speakers on my news shows
when I have the opportunity to get a positive message across.
Feder: Well, you know, everybody
understands (this is addressed to both of you from me) that
there’s been a blending of information and entertainment, so
that once upon a time there was a split between a direct information
news program and pure entertainment. Now, of course, I think
everyone would have to concede that these two things have been
blended almost to the point of where they are indistinguishable
or maybe you wouldn’t concede it.
Caller: I absolutely do
agree with that. I think sensationalism is what sells nowadays.
A lot of news organizations have unfortunately taken this route.
I know that some news organizations, not the one I’m working
for, pay for stories which also draw various ethical lines.
I actually used to work for a tabloid program where we did stories
which at the time were sensational, and I’ve seen modern news
organizations, prestigious networks, go toward the tabloid angle,
because unfortunately, that is what the viewers like. And since
I do work in the entertainment industry—I personally do not
watch much television at all—I agree it is not a good influence
for children at all. I don’t think news is a good influence
for children. They’re seeing horrible things going on in the
world. I think that it’s important for parents to pre-screen
everything that their children see.
Jacobson: Jennifer, so do
you think that there’s a trend among executives toward sensationalism
or the other way around? Or there may be a backlash at some
point?
Caller: I’m not going to
talk about executives, I’m going to talk as a viewer of these
major networks. It’s sensational, I really can’t speak for executives—I’m
just a producer—I just know that is what sells on television.
Feder: Well then doesn’t
it feel strange to be involved in a job or a career or even
a calling where you don’t participate in consuming the same
thing?
Caller: In some ways it
is hypocritical; on the other hand, I think it’s important to
have people who do have a conscience in this business, otherwise
it would just get way out of hand and horrible things would
happen: people would be knocking on your door after you’ve been
in a car accident without any empathy or sympathy to what you
are going through as a human being.
Jacobson: Well, Jennifer,
I wish others that worked in the media and in business were
as sensitive and as spiritual as you are, and it’s gratifying
to hear, because frankly, as I say to you Mike and I say to
Jennifer as well, it all comes down to individuals. If individuals
do have that consciousness that Jennifer is describing, and
have that sense of spirituality, as their standards and horizons
broaden and heighten, that will have a direct impact of how
they create entertainment for others, and I think that’s healthy.
I don’t think everyone should quit
their jobs in the media. Let us use the media and transform
it and really lift it to where it belongs.
Feder: Thank you for calling
Jennifer.
Okay, let me salt this with another
question here. I want to put this to you. It seems to me that
the original entertainment, if I know my history here, was involved
with religion. In fact, there is a real connection, for thousands
of years, between the stage and theatre and religious and spiritual
celebrations. In fact, in the olden days, thousands of years
ago, the only real entertainment you would see is directly connected
without religions.
There were celebrations of births
and deaths, harvests, gods’, miracles brought about by the various
gods that were worshipped, or whatever it was, and there is
an absolute, intricate, relationship between the theatre and
the synagogue and the church. If there were somebody, let’s
say, at a synagogue and it was just one endless litany of prayers
and talking, yet there weren’t singing or pageants involved,
it’s almost like the origin of entertainment and celebration
were from religions.
Jacobson: As I stated earlier,
I don’t believe that G-d wants us to be non-entertained human
beings. In other words, I think that spirituality can be fun.
I use the word "fun" not in the way that many people
attribute to the word "fun" because it’s of a higher
caliber, but there’s an expression in the Talmud that the ultimate
goal and the ultimate good is a good that is both good for heaven
and good for earth.
There are things that are good
for heaven but are painful on earth. There are things that are
good on earth but are painful in heaven. There are things that
are very spiritual, but they don’t seem to have earthly value.
I believe that the ultimate objective is where we see that even
in our earthly value system, even the entertainment "nerves"
inside your system get stimulated by something that is of a
higher standard, and I gave the example with the child before
because I think it’s a perfect example: A child will sit down
and play with toys. You and I may not. You’ll say, "That’s
not for me, that’s completely not in my realm."
Feder: So there’s really
no disconnecting these…
Jacobson: …a tzaddik,
a righteous person, who really reaches very spiritual heights,
do you think he’s having less enjoyment and less entertainment
in his life? It’s only coming from more sublime sources. And
that’s a key element.
We’re not talking about the need
to be entertained, we’re not changing the desire for that type
of stimulation, we’re changing the object of the desire. Now
usually you hear in the education process, you know, there’s
an approach…let’s say there’s a child who behaves or entertains
himself in a way that is unhealthy. Everyone agrees that it’s
unhealthy. It’s too much, it’s in excess, etc.
One approach is to take away the
object from the child or student and say, "You’re not allowed
to do that, you’ll be punished if you use that particular form
of entertainment." And that’s it, and you tie them up in
a sense, and the child, out of fear, may or may not comply.
What’s wrong with that approach?
What’s wrong is that at some point, number one, he’s going to
explode. When the child becomes independent enough, he won’t
ask you, he’ll do it anyway.
Feder: Behind your back.
Jacobson: Right. Secondly,
and more importantly, you haven’t dealt with the cause, you’ve
dealt with the symptom. There’s a void that remains now in that
person’s heart that needs stimulation. So instead of creating
or providing an alternative, you’ve just performed like a lobotomy,
you just cut out that part.
Human beings needs to be entertained,
they need to be stimulated, they need to feel uplifted. And
if G-dliness, spirituality, Torah, doing a mitzvah, doing a
good deed, doesn’t achieve that, something else will. You can’t
expect people to just deprive themselves, just to cut off that
part of themselves. I think that’s a critical element.
Feder: Okay, we have another
call here. Shifra.
Caller: Hi, my name is Shifra
Herbst, the Rabbi knows me a little bit. I was thinking, listening
to you Rabbi, of the entertainment in my life. I’m a person
who likes to learn, and there’s a certain type of joy that I
get out of that, and then when I go to a certain event—a wedding
or a bar mitzvah—there’s also a kind of joy of entertainment
that I get. But I wanted to ask the Rabbi: There’s another kind
of entertainment that I have as an adult, and I only have to
say this to give an example. Once when I went out on a social
occasion, a gentleman took me to Coney Island and we got on
the merry-go-round, and there we were, and there’s that little
girl and little boy having fun in a very special kind of a way
that’s different from the joy of listening to entertainment
and the spiritual aspects of the joy of wisdom and the festivals.
So I wanted to ask what the Rabbi
thinks about bringing out the fun aspect, the play aspect in
people?
Feder: Almost like the childlike
part of things.
Caller: Yes, and you don’t
have to do anything. It’s just an entertainment that you have
with your spouse or you have it with your children, or if you’re
single and you’re going out, it’s that playfulness that seems
to lighten up a little bit, just by taking a walk in the park…
Jacobson: Shifra, that’s
a very good point and I’m glad you made it, because it should
definitely be added into the entire equation. How I would put
that is that there are things that you do directly, when you
speak about spiritual, meaningful activity, that are directly
meaningful, like sitting down to study something, or going out
to help a needy person.
But then there are things that
we call steppingstones toward things that are meaningful. You
can’t put them on the same pedestal, but without them you can’t
reach that pedestal. It’s like steppingstones.
For instance, we need to eat. Eating
itself can be meaningful. You make a blessing, you understand
that it’s G-d’s gift to you, but ultimately, the sustenance
that the food provides gives you the strength to go and do something
great.
So the meal may not even be considered
later as being so much part of the great deed, though it was,
because without that meal you wouldn’t have had the strength
to proceed. The same thing is, there are forms of activity that
we do that—and that’s why I didn’t mention it earlier—that they
themselves, by themselves, don’t seem like much, like the example
that Shifra gave, "fun," just free abandon, going
on a merry-go-round, taking a walk in the park, even some humor,
if it’s not just frivolous and at the expense of someone else,
and empty.
That’s part of, in itself, if it
leads to something meaningful and it’s goal is that it loosens
you up, it lightens you up, you get in touch with your own flexibility
and spontaneity, instead of being locked in a hard, adult type
of place. That itself is spiritual, that itself is meaningful.
Feder: So something which
is apparently or even clearly meaningful, can be like a steppingstone,
like a rung up a ladder to some other form of entertainment.
Jacobson: Precisely. The
Talmud tells that when the Rava, who was a great Sage and scholar,
would teach, before he would begin the actual course, the actual
dissertation, he would say something humorous. In Aramaic: "milseh
d'bedicuhsa."
A bedichusa means a humorous
statement; a joke (of course it wasn’t a plain joke, the humor
had content—if a wise man tells a joke, the humor is also of
a higher caliber), but the reason he did that was as a preparation
that opened the hearts of the students.
It’s using that ability to entertain,
to entice, to open you up, but with a greater objective—it’s
not an end in itself. If he just stopped with that and didn’t
go on with the course, then he’d be stooping to the level of
the students who may just want to have fun.
Feder: We have another Jennifer
on the line.
Caller: Hi. I’m in the entertainment
industry indirectly, in the sense that I’m a musician and I
work for various religious institutions, religious and so forth,
providing music, and I’ve noticed that the power of popular
culture has become greater and greater in recent years to the
point that it’s almost displaced the value of serious religious
music. I think that the media, or the forces of pop culture
have kind of empowered the fun-seeker or the uneducated, or
however you want to define such people, as having a kind of
dictatorial power over what kind of music is practiced in churches.
I think this has almost endangered
the spiritual message that music can carry. And I wondered if
you have a comment on that?
Jacobson: I do. It’s unfortunate
to hear that but I do believe that in religion you do find that
music plays a prominent role; that’s another example, by the
way, of something that’s entertaining. Now music is much more
than entertaining. Music can touch hearts and souls and transport
you to another place. It’s actually a very spiritual activity.
Prayer is sometimes called music,
song, melody. However, music also has the ability to achieve
something that just a lecture or sermon or prayer service doesn’t
have. It lightens the spirit, it opens you up. Singing along
and so on. And it’s unfortunate that the standards that Jennifer
just described, the popular standards, are so contaminating
this power of song.
I think we should do a future radio
show on music.
Feder: Sure.
Jacobson: But I will tell
one parable, so to speak. When G-d came to create the universe,
He consulted with the angels and asked them, "Tell me,
should I give human beings music, art?" and the angels,
of course, said, "No, human beings will abuse it. They’ll
take music and they’ll make a commercial business out of it.
They won’t appreciate its sublime nature. Give us the power
of song and we will sing your praises. We understand that song
is like wings that lift spirits up high."
G-d listened to their advice and
then chose to disregard it. Instead, G-d said to the angels,
"I will give them music. Do you know why? Because I want
them to have something to remember Me with."
So music is a voice, a tool, a
language that speaks G-d’s language. It’s a way of transcending
conventional vocabulary and language and reaching a deeper spiritual
place. However, like in all places, there is room for abuse.
But as the Talmud says in one place: "Just because there
are sun-worshippers and moon-worshippers, G-d is going to destroy
His universe?"
Technology can be used in a very
destructive way but at the same time in a very constructive
way as well. That’s our free choice, our free will.
So it’s sad that the popular culture
is so—I don’t like the word contaminated—is so abusing and so
exploitive of music for its own ends and in a way bringing people
down instead of lifting people up to that place that it should
be. However, religious establishments have that responsibility
to use music in a way that is spiritually uplifting. And that’s
a perfect example where entertainment can be used both in a
constructive way or G-d forbid in a destructive way.
Feder: I think this has
been a war that’s been going on since human beings were able
to collect themselves in one place and celebrate anything. I
mean, there’s always a war between what you might call low entertainment
and high entertainment, or entertainment for financial value
and entertainment for spiritual value.
It seems to me apparently that
the other side is winning, but it’s an endless war.
Jacobson: Well, it’s a war
but it’s a war in each of our hearts as well. Because we can
stoop to both extremes. In other words, we can give in to our
temptations for instant gratification and there are times when
we rise to the occasion for a much higher level of entertainment.
It’s easy. Look, you turn on the television and start watching
something, and it’s very easy to just succumb and just lay back
and say, well, if that’s what’s on, I’m so bored anyway.
So you almost need a constant state
of vigilance to have that higher standard where you say, "No,
you know, I really have a higher perspective."
But I don’t think it comes with
the fear and guilt approach of saying, no, you can’t watch that.
I think the approach has to be an educational and inspiring
one. Here, you want to sit down and play with blocks on the
floor, I will give you an alternative. Not criticize you for
playing but give you an alternative game, an alternative humor,
an alternative entertainment that is a little higher.
Feder: But here you know
you’re touching on something that is almost a separate subject
but is almost tied into it (because everything is tied into
everything). Once you replace this television, if you’re a parent
trying to replace it for a kid, then it requires you to
provide or to participate in the entertainment, and there’s
the real problem.
Jacobson: I have no doubt,
Mike, that if the entertainment industry would apply their brilliant
minds and genius to creative programming that has, not per se
spiritual value but has that subliminal undercurrent that we’re
here for a higher purpose, they could achieve everything and
much more than that which is currently achieved without pure
sensationalism, pure entertainment without any meaningful content.
Sometimes you hear a good joke,
and you really laugh at it. And afterwards you say, I laughed
at a joke and it was funny but it had absolutely no content,
no meaning. There’s no lesson, no message; it just got you laughing
for the moment.
Feder: Well, it really is
the equivalent of junk food, where you eat it and it tastes
good because of the salt or sugar, but there’s no nutritional
value.
Jacobson: Yes, but it’s
much worse, because it’s junk food for the soul, and it’s harder
to get rid of junk food fed to the soul. You can burn extra
body fat and junk food through body exercise. It's much harder
to burn "fat" that has affected the soul. The soul is a very
sensitive child. So every little thing matters, like a piece
of dust on the eyeball. It’s much more sensitive. But then you
listen to humor, a joke that’s really content oriented, and
that makes you laugh as well, you could even be in stitches,
however, it has that content, it has that message. It could
even be revealing a part of yourself that’s so ridiculous, or
something that has a twist to it, that helps you understand
life in a different or better way.
So that’s a perfect example. Of
course, the latter requires more effort, requires more thinking.
But it’s not less entertaining. You find that in music, you
find that in many areas where there are things in entertainment
that are purely, let’s call it primitive, hedonistic, that’s
driven by just stimulating the senses. It’s almost like artificially
going and stimulating your nerves.
Feder: Not to be impatient
about this, but people have been talking about this, and this
is obviously the best sentiment you can express, but people
have been talking about this for so long that it’s almost as
if it doesn’t seem to make any impression on anybody anymore.
I mean, it’s good that you said
it, and it’s good when anybody says it. But there’s a headlong
rush in the other direction. I mean, Jessie Ventura, a professional
wrestler, an entertainer of the lowest sort (and I’ve laughed
at wrestling myself once and a while) is the governor of
a state. President Clinton is an entertainer. He’s not even
a politician. Reagan was an entertainer. I hate to be so gloom
and doom about this, but we are headlong like lemmings jumping
right off the cliff in the other direction. Is there some sort
of emergency treatment that you could suggest?
Jacobson: Well, that’s why
we’re doing our radio show, because we believe that this radio
show is going to be historical and dramatic and change the world!
And you don’t do a show unless you feel that it’s indispensable
and absolutely necessary.
Feder: I guess that’s true.
Jacobson: So I have confidence
that we can demonstrate the fusion of entertainment and spirituality
by continuing to share the message in a way that is both entertaining
and spiritual and meaningful, including wrestling—because we
do wrestle you and I…
Feder: So are we going to
have "Toward a Meaningful Life the movie" coming
out soon?
Jacobson: Toward a meaningful
wrestling.
Feder: Are we going to go
big screen on this?
Jacobson: I’m sure it will
come to that as well.
Feder: But no, I agree with
you, I guess the desire is to spread the word.
Jacobson: That is my objective,
but the point is, in the case of our lives, it’s like that story
where someone was walking along the beach and throwing starfish
back into the water. So someone said, "What are you doing?
There are so many millions of them? What do you think you’re
going to accomplish by throwing a few back?"
And he said, "Well, for this
one (for this particular starfish) it matters."
So we have to do what we can to
contribute. It’s a collective consciousness—on both ends. There’s
a certain backlash resulting from the extent that parents are
seeing their children being hypnotized and all that that’s leading
to. At the same time, I think there’s also a spiritual yearning
and a spiritual awakening, and when the two converge, there
may very well be an explosion. It may not be a revolution overnight,
but it’s a slow process. Making the point is critical, because
when you make people aware, they usually are one step closer
to getting there.
If it’s not discussed, saying,
hey, what can we possibly add and what are we going to do about
it, then the resignation just allows it to accelerate downward—decelerate.
Feder: Let me take a break
from this extremely entertaining program here today to remind
you that you have been listening to Toward a Meaningful Life
with Simon Jacobson, and I’m Mike Feder. This is WEVD, New
York, 1050am. We’re here every Sunday night from 6-7.
Once again, if you want to get in
touch with Rabbi Jacobson with comments or questions you can
call 1-800-363-2646. You can email us at wisdomreb@aol.com,
and go to our website at www.meaningfullife.com
to download transcripts of this radio program.
The radio show is brought to you
by you, as I say every week, the listeners, and also by the
people who underwrite the show. And today’s underwriter is,
and we thank him very much, Robert Klein. The program is in
honor of the 26th birthday of his son, Abraham David
Klein, and may he be blessed in all things.
Jacobson: I’ll second that.
He should be blessed. Robert is a very special man and I bless
him that he should have much nachas and joy from his
son.
Feder: Okay, we’re at that
point in the show where I want to remind the listeners that
we do receive requests from people asking how they can donate
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When you contribute to the Meaningful
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Please call us at 1-800-3MEANING
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We actually have one more call.
Jerry you’re on the air.
Caller: Hi. I want to ask
you something. How come generally in religious communities entertainment
always has to be done with separate seating, where men and women
are not able to even sit together?
Feder: I’m not sure I’m
following your question.
Caller: Well, generally,
religious groups separate the men from the women. What is the
benefit of that?
Jacobson: Well, it’s not
really on the topic because it’s not really about entertainment,
but what he’s referring to is that in a traditional, observant
Jewish synagogue, for instance, the men and women sit separately
during prayer services.
And I’m assuming that he’s referring
to when that’s carried over into some entertainment, for example,
at a religiously Jewish music concert, there will often be men
sitting in one area and women sitting in another.
That’s connected to the whole area
of the separation of the sexes and particularly where, when
it comes to entertainment, you want to avoid a type of frivolousness
and behavior. That’s why it says in the Talmud that a Jewish
court of law would send out messengers in times of celebration,
like holidays, who would just make sure that people did not
allow the joy and the celebration to carry over into frivolous
behavior that broke down the boundaries between the sexes.
Feder: So there’s a method
to this.
Jacobson: So I assume that’s
what he’s referring to, but it’s really another topic.
Feder: Well, we have about
three minutes left. I’m the one who seems to always be journalistically
reporting the end of the world here and you look at it in a
more uplifting and more positive, hopeful way. But now that
we have a couple of minutes left, people are going to leave
this program today they’re going to go watch—as a matter of
fact, wrestling is on right after this program at 7 (I can’t
rush home to see it)—and there’s all sorts of junk which I occasionally
(not to be a hypocrite) consume myself. Everybody’s going to
turn to this stuff, they’re going to turn on their TV sets,
and VCRs and everything else, not to be judgmental (and this
is why I look to you)…what would you encourage people to do
who are listening now who feel like they deserve to have this
this very night.
Jacobson: Well, that’s a
really good question that puts me on the spot here!
Feder: Yes. Because that’s
what I find entertaining!
Jacobson: That’s good. I
think it’s critical that people find alternatives. And if someone
doesn’t recognize that they’re watching junk, I don’t think
my saying anything is going to make a difference. But if someone
does recognize that they are, and they really want to pull themselves
out of that pattern, or vicious cycle, or almost addiction,
I would say they should find alternatives.
Don’t just shut off the TV, and
don’t just close off that entertainment, because then you’ll
ultimately gravitate back to it. You have to find something
that’s entertaining, stimulating, spiritual and meaningful.
Feder: On the television? Jacobson: I’m ready to offer a suggestion
and people can email me with their particular questions. However,
I’ll say generally, the key is to find fun in your spiritual
activity. And usually it’s with whom you do it. If you love
the person that you’re doing something entertaining with,
it’s not that important where you’re going or what you’re
watching. It’s important that you’re doing it with that
person. As a matter of fact, if it is that important where
you’re going or what you’re watching, then that person is
secondary. Two people who really love each other can just
go to a park and talk, or they can go to a show. But if they
both mutually say, you know, let’s do something together that
is not just junk, then you have two against one, so to speak,
you have two people, two minds, two souls that can bond in
that direction. Now, examples of spiritual entertainment—I don’t
even like the term "spiritual" entertainment—meaningful
entertainment, there’s an example that Shifra (one of the
callers) gave. Going to the park or doing something that’s
connected to your childhood, and that’s your intention, or
you want to just have that freedom to free yourself from the
headaches of work, that’s a very pure objective, but it’s
not junk. So perhaps I would suggest that instead of turning
on the VCR tonight, why don’t you go outside to Central Park,
if you’re in New York, or go for a walk with someone you love,
and if you don’t have someone you love, maybe it’s time to
start finding someone you love. The point here is to fill
the void and the vacuum and not allow the loneliness and the
boredom to drive you to something that is "junky." Feder: Okay, next week we’re going to talk
about Forgiveness. Thank you very much Rabbi.
Jacobson: Thank you.
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